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X-WR-CALDESC:Events for Oliver Tourism
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DTSTART:20250101T000000
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DTSTART;TZID=UTC:20261003T080000
DTEND;TZID=UTC:20270316T170000
DTSTAMP:20261003T161538Z
CREATED:20261003T161533Z
LAST-MODIFIED:20261003T161538Z
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SUMMARY:Kathleen Edwards
DESCRIPTION:About the Performance\n\nFor decades\, Kathleen Edwards has been a cornerstone of North American roots music. \n\nSince making her debut with 2002’s Failer\, she’s spent the 21st century occupying the grey area between genres\, swirling together her own mix of alt-country\, folk\, and heartland rock & roll. It’s a sound that has earned its creator more than a half-dozen Juno nominations\, as well as Top 40 success on both sides of the Canadian/American border. Now in her third decade as an artist\, Kathleen Edwards has done more than carry the torch of songwriting heroes like Tom Petty\, Neil Young\, and Lucinda Williams — she’s opened the door for others\, too\, inspiring a new generation of artists who\, like her\, blur the boundaries between genre and generation. \n\nA native of Ottawa\, Ontario\, Edwards was still in her early 20s when she released the critically-acclaimed Failer. The album’s warm\, woozy sound — crystallized on radio hits like “Six O’Clock News” — quickly turned her into one of the era’s alt-country heroes. From the very start\, though\, Edwards’ music seemed to exist somewhere out of time\, resisting categorization even as Failer received a Juno nomination for “Roots & Traditional Album of the Year.” \n\n“No one knew what to call my type of music back then\,” she says of those early years. “The Americana genre didn’t exist yet\, so they couldn’t categorize me. I just made the kind of music I wanted to make.” \n\nEdwards continued blazing her own trail with follow-up albums like Back to Me and Asking for Flowers. By the time Voyageur arrived in 2012\, Americana very much did exist as a genre\, and Edwards found herself riding a newfound commercial peak. The album reached Number 2 on the Canadian Albums Chart and Number 3 on Billboard’s Folk Albums chart. Even so\, a busy decade on the road had left her exhausted. After touring in support of Voyageur’s release\, Edwards left the music business altogether and moved to suburban Ontario\, where she opened a coffee shop called — defiantly — “Quitters.” \n\n“Before I turned 30\, I toured the world and put out nearly four records\, performed on TV\, and had an incredible run\,” she says of her first 10 years in the spotlight. “What’s interesting is that I walked away from all of it\, too — and when I came back\, I felt better than the person who put out Failer.” \n\nBy the late 2010s\, Edwards felt recharged and revitalized. When a phone call arrived from Maren Morris\, who was looking for songwriting partners for a new project\, Edwards jumped at the chance to collaborate. The two musicians co-wrote “Good Woman\,” which appeared on Morris’ Grammy-nominated album Girl in 2019. Back home in Canada\, Edwards continued to write new material\, eventually partnering with producer Ian Fitchuk for the album Total Freedom. Released in 2020\, the album expanded her sound and her audience\, boosted by two hit songs — “Options Open” and “Hard on Everyone” — that both reached the Top 30 on the Triple A chart in America. Total Freedom didn’t just mark her return to the music industry. It was a rebirth\, too. \n\nWhat’s next? New music\, of course. She and Grammy-winner Jim Scott co-produced and released an album called Covers\, which pays homage to some of her songwriting heroes – Tom Petty\, REM\, John Prine\, Bruce Springsteen\, et al. Edwards remains a fan of “ripping guitar riffs and good songs\,” and she’s combining both into a follow-up album co-produced by Grammy-winners Jason Isbell and Gena Johnson that will showcase her legacy as well as her evolution. \n\nShe maintains a presence on the road\, too\, playing her own gigs one minute and sharing shows with her heroes — including Willie Nelson\, John Fogerty\, and Bob Dylan — the next. \n\n“The amount of things I’ve gone through might make someone else quit…but quitting doesn’t quite do it for me\,” she says. “I can’t help but want to write great songs\, connect with people\, and see what’s ahead. I don’t love looking behind\, even though it’s one of the ways we can see what we’ve done\, so I’m looking forward.” \n\nTICKETS: $51\n\nBuy Tickets Here
URL:https://visitoliver.com/event/kathleen-edwards/
LOCATION:Venables Theatre\, Oliver\, British Columbia\, V0H 1T0\, Canada
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ORGANIZER;CN="Venables Theatre":MAILTO:manager@venablestheatre.ca
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DTSTART;TZID=UTC:20261008T080000
DTEND;TZID=UTC:20261008T170000
DTSTAMP:20260830T172023Z
CREATED:20260830T172020Z
LAST-MODIFIED:20260830T172023Z
UID:10009115-1791446400-1791478800@visitoliver.com
SUMMARY:Thursday Only PASSPORT
DESCRIPTION:Thursday Event Day | Wine Tasting PassportAvailable to be used and redeemed on Thursday’sPurchase your Village passport for $10 which includes 10 – vouchers that can be redeemed at any of the wineries in the Village.Passports can be purchased in person at Oliver Visitors Centre\, Apricus Cellars and Gneiss Wines1 voucher =1 oz taste of wine from any winery in the Village1 flight glass of beer from the brewery (neighbourhood brewing only)1 oz taste of drink taster on tap at Yellow Dog SpiritsMust be redeemed in the 2026 season and only redeemable on Thursday’s
URL:https://visitoliver.com/event/thursday-only-passport/2026-10-08/
LOCATION:District Wine Village\, 100 Enterprise Way British Columbia Oliver V0H 1T0 Canada\, Oliver\, British Columbia\, V0H 1T0\, Canada
ATTACH;FMTTYPE=image/jpeg:https://visitoliver.com/wp-content/uploads/2026/08/Screenshot-2026-08-30-1016151.jpg
ORGANIZER;CN="District Wine Village":MAILTO:info@districtwinevillage.com
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261008T190000
DTEND;TZID=UTC:20261008T210000
DTSTAMP:20260627T213318Z
CREATED:20260507T181028Z
LAST-MODIFIED:20260627T213318Z
UID:10008144-1791486000-1791493200@visitoliver.com
SUMMARY:The Australian Bee Gees Show - A Tribute to the Bee Gees
DESCRIPTION:About the Performance\n\nWinner of “Best Tribute Show” in Las Vegas (The Las Vegas Review)It’s Saturday Night Fever every night with “The Australian Bee Gees Show – A Tribute tothe Bee Gees”. One of the most successful and adored acts in musical history isrecreated live in concert. You’ll hear hits like\, “Staying Alive”\, “You Should Be Dancing\,”“How Deep Is Your Love\,” and “Jive Talkin.” \n\nThe performers’ authentic take on the trio’s clothes\, style and moves showcase fivedecades of the Brothers Gibb’s success as rock and disco legends\, while audiencesgroove to their memorable music and are immersed in the disco era. The President ofthe Bee Gees Fan Club\, USA has said\, “In my opinion they are the best Bee Geestribute in the world!”
URL:https://visitoliver.com/event/the-australian-bee-gees-show-a-tribute-to-the-bee-gees/
LOCATION:Venables Theatre\, Oliver\, British Columbia\, V0H 1T0\, Canada
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ORGANIZER;CN="Venables Theatre":MAILTO:manager@venablestheatre.ca
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